Showing posts with label MY WEEK WITH MARILYN. Show all posts
Showing posts with label MY WEEK WITH MARILYN. Show all posts

Thursday, December 8, 2011

My Week With Marilyn

There's two movies inside My Week With Marilyn, the latest frothy confection sewn with an ultra tidy bow by Harvey Weinstein made for optimal awards bait potential.  The first one is a rote, easy to swallow revisit to the set of the lightweight Laurence Olivier-Marilyn Monroe comedy The Prince & the Showgirl, reveling in Old Hollywood mirth and the best production design a meager budget could provide.  The second film, and the juicier, more complicated is that of the iconic actress at odds with herself, the public and her ever-more-weary movie making team-- this film, the better of the two is provided in an ace solo effort by the wondrous Michelle Williams, who tackles the iconography and legacy, the very Marilyn of Monroe with such a fragile grace, it's a shame that director Simon Curtis (TV's Cranford) and writer Adrian Hodges didn't have more confidence to make that same feature.  Instead, what's left is a fairly routine, vaguely inside-Hollywood lightweight with the same simple observations and lazy commentary that's been regurgitated for decades.

The problem from the start is the My part of the title, which belongs to Colin Clark (Eddie Redmayne), a privileged young man with an aspiration to contribute to the cinema.  He gets his chance, thanks to family acquaintances and that old hedgehog gumption, as the third assistant director on Olivier's latest project, set to star the already infamously troubled glamor girl.  Whatever significance the relationship between Colin and Marilyn may have been in real life, it's a bit of snooze on screen, and hard to fathom that it would make a great book (in which Clark wrote, and is the basis of the film), but here it is.  There's the typical notes of Monroe's famed tardiness on set, a beleaguered Olivier (played in an amusing bit of Shakespearean symmetry by Kenneth Branagh) agitated by his leading lady's lack of professionalism and endless need to be coddled, while famed spouses Vivien Leigh and Arthur Miller get name-checked.  There's a slight nod of heft, that's sadly never fully developed, in the flip side of the same coin that Monroe and Olivier may have felt-- she a movie star forever longing, yet fearful of being a great dramatic actor; he a great dramatic actor, but not quite a movie star.  The dynamic would have changed (and certainly Branagh might have had more to chew on) had the film choose to examine something significant about these fascinating creatures.

However as checked by master publicist Weinstein, My Week With Marilyn chugs along with the false mirth and facile tacks at heft, keeping it's train humming along with amusing, if innocuous charm-- Judi Dench plays Dame Sybil Thorndike with such efflorescence, one might assume she was slipped pills similar to Monroe back in the day, while Emma Watson pops up as a simple costumer in perhaps a silly attempt to woo tweens to this prestige trifle.  That leaves Williams to do all the heavy lifting herself, and while it appears disjointed that such a prime, detailed and substantial performance centers an increasingly silly film, she's more than capable.  Never relying on pure mimicry, and determined not to wither her Marilyn as a cartoon, she inhabits the soul of this sad woman, her hopeless need to be reassured, by her co-stars, her acting coach (Paula Strasberg is played by Zoe Wanamaker), her neglectful husband (a cameo by Dougray Scott) and Colin.  Afraid, but vivacious, joyous, but tormented.  What Williams may lack physically as Marilyn, she embodies in spirit, presenting the only spark of anything the least bit messy, titillating or interesting in My Week With Marilyn.

Had the film taken a cue from its leading lady, and grown a pair, this might perhaps be one of the best films of the year... C+

Thursday, October 6, 2011

My Week with Marilyn Trailer



With a nicely put together, prestige-friendly cast in Michelle Williams, Kenneth Branagh, Judi Dench, Dominic Cooper, Emma Watson and Eddie Redmayne and a glittering, old-Hollywood backdrop-- that of the filming the film The Prince and the Showgirl-- My Week with Marilyn appears like top drawer eye candy.  Which of course, there's nothing wrong with that, but if by some chance, there's a teensy bit of higher substance in the Marilyn Monroe\Lawrence Olivier affair, that would be even grander.  What's striking in the trailer (at least to me) is the confidence projected in Williams-- who certainly looks the part, if not exactly sounding it-- she's always had a gift at adding sensitive and honest shadings to unhappy people (Brokeback Mountain, Wendy & Lucy, Blue Valentine), so much she could be the modern movie star poster child for melancholy, and Monroe could certainly fit into wheelhouse on that respect, but there's a tease of quiet extroversion in the trailer that seems exciting.  The Weinstein Company seems a bit sheepish in their early marketing-- the movie comes out November 4, a mere six weeks away, and the first trailer appears just now?  The film will be unveiling at the New York Film Festival shortly, and early word will strike fast...

Thursday, August 25, 2011

My Week with Marilyn

I'm endlessly fascinated with this film, and I can't quite shake, despite the fact that not so much as a trailer has been unleashed yet.  It's that old Hollywood mystique, and that glossy mystique that keeps me intrigued.  I love it when films play homage to the old way...where as Gloria Swanson in Sunset Boulevard proclaimed ever so profoundly, "They had faces back then."  I think the last time Hollywood really stood rightfully back into its heyday was in the first act of The Aviator, of which were the grandest parts of the film-- the legend of Hepburn, Hell's Angels and all that jazz, pure bliss.  Who knows what will turn about here, but it's clear they're selling "Marilyn" and her grand allure moreso than anything else, and why not?  Here's hoping that one day the wonderfully gifted and ethereal Michelle Williams matches that allure.  Perhaps the biggest question mark of the fall movie season...The film is an account of on the set antics between Monroe and Laurence Olivier (played by Kenneth Branaugh) while shooting The Prince and the Showgirl.

Friday, August 5, 2011

My Week with Marilyn joins New York Film Festival slate

It's announced that the eagerly awaited My Week with Marilyn (at least by me) will be making its world premiere and be the centerpiece film of this years New York Film Festival.  Starring Michelle Williams as Marilyn Monroe, the films revolves around her relationship with Laurence Olivier (played by Shakespeare vet and Thor director Kenneth Branagh) will shooting The Prince and the Showgirl.  Whatever eventually comes from the films quality, I can't help but be excited for the prospect of what could be a grand, in-Hollywood tale revolving around two great Golden Age movie stars.  The rest of the slate at this year's New York Film Festival, celebrating it's 50th anniversary, is yet to be announced, except that the opening film will be another juicy looking looking film: Carnage, based on the Tony-winning play God of Carnage, directed by Roman Polanski, who for obvious reason will likely not be present for the films premiere.  Carnage stars Kate Winslet, Jodie Foster, John C. Rielly and Christoph Waltz.  Why must I live in Los Angeles?
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