Sacha Baron Cohen further drifts into irrelevance with yet another character study meant to offend and gross out its audience. This time playing the leader of an oil-rich North African country of Wadiya, Cohen again fully immerses himself into a cartoonish buffoon parodying social norms and politics of the western world. However, in The Dictator, the joke is fully out of steam. While in previous characterizations of Ali G., Borat and Bruno, Cohen brilliantly went there, consistent in shape and size of his massive cartoons alienating innocent bystanders along the way, as Aladeen, Cohen takes the formally scripted approach for the first time (Cohen shares writing credits with Alec Berg, David Mandel and Jeff Schaffer; Borat's Larry Charles directs) and the result stifles the free associative grooves of the past. The other problem is that Aladeen feels hardly constructed at all, instead just a hit and miss patch-up of ridiculous cliches filtered through an uneven accent.
While The Dictator fulfills its quotient of scatological, sexist, racist and all consuming offensive humor (yet again, Cohen gives his genitals screen time), there's little bite or sting, for the shots seem cheaper and thornier than ever before. We first meet Aladeen enjoying his stupidly rich existence, extolling the pleasures of his nuclear program. He joyfully orders insubordinates executed and engages in one of favorite hobbies of bedding famous celebrates and chronicling them on a Polaroid Wall of Fame (Megan Fox makes a game cameo), but really, deep down, behind all the war crimes he's most proud, Aladeen wants someone to hold. That's the best plot description for the insipid sight gags that make up the majority of The Dictator, which grow tiring before the first reel. Legitimate thespians (like Ben Kingsley, John C. Rielly and Anna Faris) make up a supporting cast, most of whom floundered by the scripted shapelessness of the film.
After arriving in New York to abhor his dictatorial triumphs, Aladeen is back stabbed by his duplicitous older brother (Kingsley) and mistaken for a Wadiyan dissident by a feminist tree- huger (Faris), who the rape-loving Aladeen begins to have, shudder, feelings for. All of which makes for a strange bedfellow of genres: political parody meets fish out of water romantic comedy; neither of which are particularly inspired. Even more so is the treacly climax which proves that even international war criminals can be redeemed by the love of a good woman. C-
Showing posts with label THE DICTATOR. Show all posts
Showing posts with label THE DICTATOR. Show all posts
Friday, June 1, 2012
Monday, May 21, 2012
Weekend Box Office
Hulk continued to smash, as for the third weekend in a row, The Avengers is continuing to smash records and every other film that dares to challenge its supremacy. A good thing for the films writer\director Joss Whedon, a great talent (just a thought however, why couldn't this level of popularity of been afforded when he was shepherding the brilliant TV series Buffy, the Vampire Slayer?), but onward with the Avengers onslaught, plus co-penning the springs horror hit The Cabin in the Woods, it's safe to safe Whedon can do whatever the hell he pleases for a while which is great news for all, even if...gulp, The Avengers itself isn't the greatest superhero film ever made...I shield from potentially dismaying comments.
OTHER NOTABLES:
- THE AVENGERS- $55 million \ $457 million total
- BATTLESHIP- $25.3 million total- the mash-up of Transformers and Battle: Los Angeles got slugged around in much the same sense the Hulk tossed around Loki-- good news for modern filmmaking; bad news for Hasboro stock.
- THE DICTATOR- $17.4 million \ $24.4 million total- Sasha Baron Cohen's latest was a far cry from Bruno's $30 million opening weekend, but all things considered, this isn't a bad start for the racy provocateur coming off a badly received film.
- DARK SHADOWS- $12.7 million \ $50.9 million total- Tim Burton's take on the '60s soap opera will hurt given its $150 million production cost; I would like to stand on record that this is a sign both Burton and muse Johnny Depp should take a badly needed break to recharge their once formidable batteries.
- WHAT TO EXPECT WHEN YOU'RE EXPECTING- $10.5 million total- Not horrible considering the product.
- THE BEST EXOTIC MARIGOLD HOTEL- $3.2 million \ $8.2 million total- Fox Searchlight should be placed their senior indie is picking up major steam...landing in the top six on only 356 screens. Judi Dench is clearly the Hulk of the over fifty crowd.
- THE HUNGER GAMES- $3 million \ $391 million- Sure, some of its clout has been somewhat diminished with the onslaught of The Avengers, but this film is still on a hell of a ride, down an scant 33% in its 9th weekend of release...should coast by the $400 million mark soon.
- THINK LIKE A MAN- $2.7 million \ $85 million total
- THE LUCKY ONE- $1.7 million \ $56 million total- Far more interested in Zac Efron's next film, The Paperboy, debuting at Cannes next week with Nicole Kidman...anyone?
- THE PIRATES! BAND OF MISFITS- $1.4 million \ $24 million total- I saw this picture two weeks ago; I should probably write about it...I liked it.
OTHER NOTABLES:
- BERNIE- Richard Linklater's latest starring Jack Black and Shirley MacLaine is quietly becoming an indie champion averaging $5,000 on 95 screens in 4 weeks of play for a total of $1.1 million so far.
- HYSTERIA- Victorian-era period piece about the invention of the vibrator debuted modestly at $8,000 per-screen on 5 screens for a $40,000 cum so far. Stars Hugh Dancy and Maggie Gyllenhaal.
- VIRGINIA- Dustin Lance Black's directorial debut, starring Jennifer Connelly and Ed Harris, was butchered when it debuted at the Toronto Film Festival last fall, and promptly earned a limp $6,000 on 5 screens.
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