The Girl especially is an interesting case. The film which stars Toby Jones (Infamous) as Hitchcock and Sienna Miller as Tippi Hedren chronicles their turbulent relationship during the filming the two movies they made together-- The Birds and Marnie. There's an old school adage that certainly rings true that Hitch discovered Hedren, a successful model, while watching a commercial featuring her. He chose her to come in for The Birds. He primped and trained the neophyte actress, molding her to become the next Grace Kelly. That's certainly stuff that's been well documented and considering Hitch's longtime regard for the then Princess of Monaco, a certain high compliment for the newcomer Hedren. The film, based on conjecture, stories told by Hedren, and who knows what else paint a tawdry portrait of Hitchcock. One that not just feels false but particularly pathetic. Jones, who matches the cadences and posture of filmmaker quite well is posited as a grotesque, nearly gargoyle-like creature. He's filmed as nearly a demented, sadistic toad, obsessing on the women he certainly could never have-- Imelda Staunton provides her usual finesse as Hitch's long-suffering wife Alma.
After molding Hedren into a movie star, Hitchcock, as seen through the shallow, flat prism of The Girl, is seen a beast. Whether through the telling of off-color limericks to Hedren, or falsely presenting scenes of The Birds. There's an ugly re-telling of a famous attack scene where Hitchcock forced Hedren to endure five days of being bombarded by live birds, after being assured that only mechanical birds and post production special effects would be used to for the shooting. There's certainly evidence that occurred, with the exception of the behind the scenes drama. The question that The Girl fails to really respond to, is why Hedren put up with it the first place. Why she continued work with a man who seemingly punished her for not accepting his sexual passes. Why she stayed afloat, with a brave, victim-like expression on her face when she felt so unhappy and marginalized. Whatever speculation of the Hitchcock\Hedren relationship will forever remain a mystery, since only one side can truly ever be explored, but The Girl seems to disingenuously present Hitch as such a loathsome cad, that it reeks of caricature, and is completely bereft of humanity on either side. Hedren is presented rather dully, and Miller's nonchalant portrayal lacks clear definition or insight. One wonders what counterpoints past Hitchcock blondes Kelly, Eva Marie Saint, Janet Leigh or Kim Novack might provide on the subject.
The Girl even fails on the seemingly easy-get on the fun it should have in recreating some of the classic moments of The Birds and Marnie, foregoing the simple revelry of old school Hollywood glee in favor of unsightly and broadly drawn melodrama. F
I wonder about the fate of Hitchcock, Sacha Gervasi's (Anvil! The Story of Anvil) take on the filmmaker while shooting his seminal film, Psycho. Written by John J. McLaughlin (Black Swan) and starring a cast with a larger pedigree than The Girl, with Anthony Hopkins, Helen Mirren as his wife, Scarlett Johansson as Janet Leigh, and featuring roles for Toni Collette and Danny Huston. Will Hitchcock succumb to the easy deducing of mans talent to small fetish, or will it be able to grasp a deeper insight in the acclaimed filmmaker. Whatever the fate, the film has done a hell of a job in marketing itself an art house diversion, making great, good-natured fun of the man himself while acknowledging his achievement and uncanny sense of self-promotion. I wonder also, if the film itself does become apart of the deeper Oscar dialogue if the quality of the film will matter as much as the fact that the Academy was dismissive of his talent and failed to acknowledge him at the time. Surely, he received five Best Director nominations over the course of his career (Psycho, Rear Window, Spellbound, Lifeboat and Rebecca) and received the Irving G. Thalberg Award in 1968-- where he famously said, "Thank you," before promptly leaving the stage-- but could that failure to reward his talent at the time resurface if Hitchcock is a success. Again with the questions!!!
For what's it worth, for a filmmaker with such a mighty talent, and an inarguable story worthy of compelling entertainment, the fascination with the auteur, the provocateur, the Master of Suspense, in my book, always deserves a resurgence. He also deserves a superior spotlight tale than The Girl provided.
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